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Undergraduate Degree Project
Digital Medium Ontology Series — Chapter
Digital Storge

Producer: Yi Huang、Hongmo Zhao、Yuxuan Qian、Kebing Wu

Content: In the present information age, digital media has become a new lens through which truth is interpreted. The nature of such perspectives carries a degree of manipulability; they can be altered and also employed to establish a state of surveillance over the observed. Against this backdrop, we seek to re-examine and pose the question: in the context of the information age, does truth become more obscured or more crystallised for the individual?

In this work, we envision a fictional future where the ‘Lifetime Plan’ mandates universal fitting of helmets capable of perpetual recording. This initiative sparks intense debate, with two protagonists representing opposing viewpoints each reaching distinct conclusions—though these conclusions may not constitute the truth. This installation explores the interplay between technology and human perception through the fusion of video art, sensor technology, and algorithmic design. By employing human-machine interaction, it reflects humanity's symbiotic relationship with information technology in the digital age.

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Format: Interactive Installtion
Tech: 3D Modeling、Arduino


本科毕业作品
数字媒介本体系列分章
数字存储

制作人:黄熠、赵洪模、钱宇轩、吴柯兵

内容:在当下信息时代,数字媒介成为了诠释真相的新视角,而此类视角的属性具备着一定程度可操作性,它能够被篡改亦能用来与被观察者形成监视的状态,在此等前提下我们想要重启并抛出问题:真相在信息时代的境遇下对于个体究竟是变得模糊还是清晰?

在本作品中,我们虚构了一个未来世界,此世界开启“终生plan”计划,要求全民装配可无限录像的头盔,这一计划的推出引来了无数争议,在两派不同观点的人中,两个角色分别走向了不同的结局,而所谓结局可能也不是真相。该装置通过融合视频艺术、传感技术与算法设计,探讨了技术与人类感知之间的互动关系。此作品通过人机交互的方式,反映出人类在数字化时代中与信息技术共生的状态。

自检:《思辨设计表达方式中当代影像艺术的运用及影响——以作品《春光之響》为例》

Self Reflection: See the Chinese version of the graduation thesis

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